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About the piece
Working in her seafront studio, or out on location, Hudson applies paint to canvas with palette knives and both ends of her brushes and achieves a style which is immediately recognisable. Treading an intriguing line between realism and abstraction, she utilises some unusual tools and techniques such as scraping with newspaper or rags, as she builds her composition with multi-layered impasto mark making. There is a depth of colour and an exploratory tone which sometimes refers to the sea, the landscape, or the flora she discovers when she is out walking, but on occasion these elements are obscured when she eschews reality and paints more from her own peaceful centre.Restless Sky original by Hudson Parkin
About the piece
Working in her seafront studio, or out on location, Hudson applies paint to canvas with palette knives and both ends of her brushes and achieves a style which is immediately recognisable. Treading an intriguing line between realism and abstraction, she utilises some unusual tools and techniques such as scraping with newspaper or rags, as she builds her composition with multi-layered impasto mark making. There is a depth of colour and an exploratory tone which sometimes refers to the sea, the landscape, or the flora she discovers when she is out walking, but on occasion these elements are obscured when she eschews reality and paints more from her own peaceful centre.Restless Sky original by Hudson Parkin
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Hudson Parkin
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